SFMoMA - the big one

-

Doing color studies helps me visualize the harmony of the colors. Surprises still happen with color mixing on the paper, but they are good surprises. I do think that the last color study had a better "fill" - the figures were larger relative to the space, and there were less interstitial spaces. One change I made from the color studies to this larger painting was the orientation of the space. In the studies, the space is oriented 45deg, resulting in an isosceles triangle in the top right, and more dizziness for the viewer [and artist :-( ]. This shows a 30-60 triangle and shapes are more irregular as a result of the 30deg orientation. I do love the grays in the sidewalk - all from three colors. In fact, the entire painting is done with three [unusual] primaries. The color harmony that results with a limited palette is just beautiful.




Comments

Post a Comment

Popular posts from this blog

Connected shadows

-
Image
I have often passed by the Campbell Community Center/Heritage Theater and been struck by the beautiful Spanish Colonial Revival architecture with intricate ornamentation. Finally, I had the opportunity to paint it today with the SCVWS Thursday plein air group. I think I should have used a ruler for this as some of my verticals aren't parallel to the edge of the paper! I do like the purple/blue shadows and how the colored shadows blend into one another around all the bright white areas. As always, for me, greens are troublesome - they often look overworked in my paintings. But, I am pleased with this overall.                       “One Ticket, Please”
Read more

Faith vs. belief, and inspiration

-
Image
In yesterday's Gita session, we discussed the difference between belief and faith. I found myself saying that a belief was hard-edged and inflexible, and faith all-encompassing and flexible and always positive - akin to having a big-picture trust in the cosmos. When I heard myself say "hard-edged," it made me realize how many terms and ideas are so interchangeable between the world of watercolor (art) and spirituality (life). When edges are hard, the eye stops at each edge before it goes to the next "item." It's like stop-and-go traffic. You are making progress but it is not smooth, not a flow. When edges are soft, your eyes travel easily, from one object to the next because the divisions between the objects are blurred, and the values do the talking. It is like life, like consciousness. We are all one - not so hard-edged and separate - yet we don't know it, and bump up against one another because of our hard edges, fixed ideas and notions, prejudices an...
Read more

Design- vs. content-driven

-
Image
I've found that strong design-driven art is more attractive to me than content-driven paintings. Of course, the content or subject is there (unless it is truly non-representational work), but it is realized and recognized a split second after one has responded to the design. For this reason, subjects that lend themselves to being more easily abstracted - interiors, close-ups of anything, still life cropped just so - are more appealing than standard impressionistic distant landscapes where the shapes themselves tell you sky-earth-mountains-lake. A landscape can also be abstracted but I feel there is more effort in hiding or veiling landscape features for the slow reveal to happen. I've been working on this still life, and just starting with a notan helped me understand and crop shapes right away. Pushing some of the lighter shapes to the white of the paper helps with abstraction. Like a chess board where each shape is bordered by a contrasting value shape, or the way we typicall...
Read more