Horses

-
Ten days ago, the plein air group went to Coyote Valley Preserve. I got there late, after my BollyX class, and that was normal. Previously, it had never been a problem. I usually join the group late, and because I work quickly [need to slow down - there is NO deadline], I am able to do one or two paintings before lunch, and then be around for the show-and-tell which I really enjoy - the range of work and talent is outstanding. I feel I belong.
This time, however, part of the group had split for "hike and sketch" and a couple of people were by the parking lot, doing their paintings. I felt the lack of groupism deflate me, and I just didn't want to be there. The drive had taken a half hour, so I forced myself to look around for a scene. I drove back along the way I had come, parked by the side of the narrow road, blocking traffic, and set up my chair in front of my car [at the risk of life and limb]. I did these two paintings. Quickly. And left afterwards - before lunch, before show and tell. I was done. I like it when everyone is there, visible, working away.



Comments

Post a Comment

Popular posts from this blog

Connected shadows

-
Image
I have often passed by the Campbell Community Center/Heritage Theater and been struck by the beautiful Spanish Colonial Revival architecture with intricate ornamentation. Finally, I had the opportunity to paint it today with the SCVWS Thursday plein air group. I think I should have used a ruler for this as some of my verticals aren't parallel to the edge of the paper! I do like the purple/blue shadows and how the colored shadows blend into one another around all the bright white areas. As always, for me, greens are troublesome - they often look overworked in my paintings. But, I am pleased with this overall.                       “One Ticket, Please”
Read more

Faith vs. belief, and inspiration

-
Image
In yesterday's Gita session, we discussed the difference between belief and faith. I found myself saying that a belief was hard-edged and inflexible, and faith all-encompassing and flexible and always positive - akin to having a big-picture trust in the cosmos. When I heard myself say "hard-edged," it made me realize how many terms and ideas are so interchangeable between the world of watercolor (art) and spirituality (life). When edges are hard, the eye stops at each edge before it goes to the next "item." It's like stop-and-go traffic. You are making progress but it is not smooth, not a flow. When edges are soft, your eyes travel easily, from one object to the next because the divisions between the objects are blurred, and the values do the talking. It is like life, like consciousness. We are all one - not so hard-edged and separate - yet we don't know it, and bump up against one another because of our hard edges, fixed ideas and notions, prejudices an
Read more

Design- vs. content-driven

-
Image
I've found that strong design-driven art is more attractive to me than content-driven paintings. Of course, the content or subject is there (unless it is truly non-representational work), but it is realized and recognized a split second after one has responded to the design. For this reason, subjects that lend themselves to being more easily abstracted - interiors, close-ups of anything, still life cropped just so - are more appealing than standard impressionistic distant landscapes where the shapes themselves tell you sky-earth-mountains-lake. A landscape can also be abstracted but I feel there is more effort in hiding or veiling landscape features for the slow reveal to happen. I've been working on this still life, and just starting with a notan helped me understand and crop shapes right away. Pushing some of the lighter shapes to the white of the paper helps with abstraction. Like a chess board where each shape is bordered by a contrasting value shape, or the way we typicall
Read more